Jazz Ensemble with Vocal Solo

This is one of the most famous vocal studio orchestra arrangements, recorded by Dean Martin in 1960. This is the authentic and swinging version that Nelson Riddle created to showcase Martin in his

This roaring and challenging Bill Holman chart begins with the vocal soloist solely accompanied by bass. Halfway through the first chorus drums enter, and then at the end of the chorus the whole band

This classic Frank Sinatra arrangement from the pen of Quincy Jones comes from the It Might as Well Be Swing album, recorded in 1964 with the Count Basie Orchestra. This song, along with Luck Be a Lady;

This Marty Paich arrangement from Ella Fitzgerald's 1958 album "Ella Swings Lightly" does an excellent job of balancing intensity and intimacy throughout in a small band setting. Instrumentation: Solo

This sultry and lush arrangement was written by Nelson Riddle for Ella Fitzgerald's 1962 album "Ella Swings Gently with Nelson." This is a studio orchestra arrangement featuring a string section along with

Without a doubt one of the signature entries in Frank Sinatra's discography, Billy May's arrangement of the title track from Sinatra's 1958 album "Come Fly with Me" is quite possibly as close to a perfect

This authentic Ella Fitzgerald arrangement is as written by Nelson Riddle, but also includes optional string parts that may be used in place of, or in addition to, the woodwind and French horn parts. An

This is one of the classic Nelson Riddle arrangements recorded by Ella Fitzgerald for the 1961 album "Ella Swings Brightly with Nelson." This arrangement was modified in the studio to begin with Ella

This arrangement by Nelson Riddle was recorded in 1959 by Ella Fitzgerald for her Gershwin Songbook three-album set. The arrangement opens with a vocal/bass duet (with drums on brushes). The ensemble slowly

For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra/Basie studio collaboration It Might As Well Be Swing. This chart was also used a few times during the 1965

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs for

Frank DeVol's arrangement of Goody, Goody may not be as adventurous as some of the others that were recorded by Ella Fitzgerald throughout the 1950s and 1960s, but what it lacks in innovation it

Written in a George Shearing style, this Frank DeVol arrangement was recorded by Ella Fitzgerald in 1960 for her "Ella Wishes You a Swinging Christmas" album. The chart is written for AATTB saxophones

Originally released in 1962 by Ella Fitzgerald for her album "Ella Swings Gently with Nelson," this collaboration between Fitzgerald and Nelson Riddle provides a highly effective treatment of a standard

Serving as a longtime go-to vehicle for improvisation, Gershwin's I Got Rhythm receives an outstanding and unique treatment from Nelson Riddle for Ella Fitzgerald's 1959 album "Ella Fitzgerald

This great Nelson Riddle studio orchestra arrangement was written for the 1961 Ella Fitzgerald album "Ella Swings Brightly with Nelson." The chart features all the classic Riddle hallmarks including

Here's the classic Neal Hefti big band arrangement from the 1962 Frank Sinatra and Count Basie collaboration Sinatra-Basie. This is vintage Neal Hefti: mellow, but swinging lines and enough space to afford

Perhaps no song is associated with Frank Sinatra more than this one! In Los Angeles on January 12, 1956 Frank Sinatra recorded Nelson Riddle's arrangement of Cole Porter's song, I've Got You Under My

Now for the first time in print, this publication is based on Nelson Riddle's original set of parts used by Frank Sinatra for the 1956 session with Quincy Jones' modifications for the Live at the the Sands